Konstantin Somov
Russian Symbolist Painter, 1869-1939 Russian painter and graphic artist. He was the son of a curator at the Hermitage, and he attended the St Petersburg Academy of Art from 1888 to 1897, studying under the Realist painter Il'ya Repin from 1894. In 1897 and again in 1898-9 he went to Paris and attended the studios of Filippo Colarossi and of Whistler. Neither the Realism of his Russian teachers nor the evanescent quality of Whistler's art was reflected for long in Somov's work. He turned instead for inspiration to the Old Masters in the Hermitage and to works of contemporary English and German artists

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Konstantin Somov Sorcery (mk19) oil painting


Sorcery (mk19)
1898 Gouache,Pencil and bronze with white hight-lights,49.5 x 34.1 cm Russian Museum,Saint Petersburg
Painting ID::  22358
Konstantin Somov
Sorcery (mk19)
1898 Gouache,Pencil and bronze with white hight-lights,49.5 x 34.1 cm Russian Museum,Saint Petersburg
   
   
     

Konstantin Somov Lady in Blue oil painting


Lady in Blue
mk72 1897-1900
Painting ID::  31224
Konstantin Somov
Lady in Blue
mk72 1897-1900
   
   
     

Konstantin Somov Portrait of the artist anna ostroumova oil painting


Portrait of the artist anna ostroumova
mk72 1901
Painting ID::  31260
Konstantin Somov
Portrait of the artist anna ostroumova
mk72 1901
   
   
     

Konstantin Somov Firework Display oil painting


Firework Display
mk100 1922 Oil on canvas 27x31.5cm
Painting ID::  35129
Konstantin Somov
Firework Display
mk100 1922 Oil on canvas 27x31.5cm
   
   
     

Konstantin Somov Ploughland oil painting


Ploughland
mk100 1900 Oil on carboard 31x73cm
Painting ID::  35150
Konstantin Somov
Ploughland
mk100 1900 Oil on carboard 31x73cm
   
   
     

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     Konstantin Somov
     Russian Symbolist Painter, 1869-1939 Russian painter and graphic artist. He was the son of a curator at the Hermitage, and he attended the St Petersburg Academy of Art from 1888 to 1897, studying under the Realist painter Il'ya Repin from 1894. In 1897 and again in 1898-9 he went to Paris and attended the studios of Filippo Colarossi and of Whistler. Neither the Realism of his Russian teachers nor the evanescent quality of Whistler's art was reflected for long in Somov's work. He turned instead for inspiration to the Old Masters in the Hermitage and to works of contemporary English and German artists

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